Deslocamento e reconfiguração de espaço no cinema brasileiro: o caso de Linha de passe e Que horas ela volta?

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dc.contributor.authorRodriguez Mooney, Angela
dc.creator.orcidhttps://orcid.org/ 0000-0002-3813-3007
dc.date.accessioned2021-09-02T19:20:38Z
dc.date.available2021-09-02T19:20:38Z
dc.date.created2021-09-02
dc.date.issued2020-05-28
dc.description.abstractIn the present article, I examine Daniela Thomas and Walter Salles's Linha de passe (2008) and Anna Muylaert's Que horas ela volta? (2015). I argue that these films create new representational possibilities for subjects within contemporary Brazilian culture by breaking with the dominant model of the favela as a predominantly masculine space that is essentially "out of control." This renegotiation brings with it a valorization of the subjectivity of women who work in the city. I argue that this valorization takes place in both films through the physical displacement of those who traditionally do not enjoy subject status and yet dare to enter territories previously denied to them.en_US
dc.identifier.citationThis is the publisher’s version of a paper that is available at: https://doi.org/10.21471/jls.v5i1.322. Recommended citation: Mooney, A. (2020). Deslocamento e reconfiguração de espaço no cinema brasileiro: o caso de Linha de passe e Que horas ela volta. Journal of Lusophone Studies, 5 (1), 187-202. This item has been deposited in accordance with publisher copyright and licensing terms and with the author’s permission.en_US
dc.identifier.urihttps://hdl.handle.net/11274/13207
dc.identifier.urihttps://doi.org/10.21471/jls.v5i1.322
dc.language.isoPortugueseen_US
dc.publisherAmerican Portuguese Studies Associationen_US
dc.rights.licenseCC BY 4.0
dc.subjectBrazilian filmen_US
dc.subjectFavelaen_US
dc.subjectGenderen_US
dc.subjectClassen_US
dc.subjectSubjectivityen_US
dc.titleDeslocamento e reconfiguração de espaço no cinema brasileiro: o caso de Linha de passe e Que horas ela volta?en_US
dc.typeArticleen_US

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