A biographical study of the lives and contributions of two selected contemporary black male dance artists--Arthur Mitchell and Alvin Ailey--in the idioms of ballet and modern dance, respectively
dc.contributor.author | Latham, Jacqueline Quinn Moore | |
dc.contributor.committeeChair | Duggan, Anne | |
dc.contributor.committeeMember | Eaton, Gregory | |
dc.contributor.committeeMember | Sherrill, Claudine | |
dc.contributor.committeeMember | Lord, Donald | |
dc.date.accessioned | 2016-03-23T13:57:17Z | |
dc.date.available | 2016-03-23T13:57:17Z | |
dc.date.issued | 1973-08-31 | |
dc.identifier.uri | http://hdl.handle.net/11274/7752 | |
dc.language.iso | en_US | en_US |
dc.subject | African American dancers | en_US |
dc.subject | American dance | |
dc.subject | Dance as folk art | |
dc.subject | Dance as fine art | |
dc.title | A biographical study of the lives and contributions of two selected contemporary black male dance artists--Arthur Mitchell and Alvin Ailey--in the idioms of ballet and modern dance, respectively | en_US |
dc.type | Dissertation | en_US |
thesis.degree.college | College of Health, Physical Education, and Recreation | |
thesis.degree.discipline | Dance and Related Arts | |
thesis.degree.grantor | Texas Woman's University | |
thesis.degree.level | Doctoral | |
thesis.degree.name | Doctor of Philosophy |