Rodriguez Mooney, Angela2021-09-022021-09-022021-09-022020-05-28This is the publisher’s version of a paper that is available at: https://doi.org/10.21471/jls.v5i1.322. Recommended citation: Mooney, A. (2020). Deslocamento e reconfiguração de espaço no cinema brasileiro: o caso de Linha de passe e Que horas ela volta. Journal of Lusophone Studies, 5 (1), 187-202. This item has been deposited in accordance with publisher copyright and licensing terms and with the author’s permission.https://hdl.handle.net/11274/13207https://doi.org/10.21471/jls.v5i1.322In the present article, I examine Daniela Thomas and Walter Salles's Linha de passe (2008) and Anna Muylaert's Que horas ela volta? (2015). I argue that these films create new representational possibilities for subjects within contemporary Brazilian culture by breaking with the dominant model of the favela as a predominantly masculine space that is essentially "out of control." This renegotiation brings with it a valorization of the subjectivity of women who work in the city. I argue that this valorization takes place in both films through the physical displacement of those who traditionally do not enjoy subject status and yet dare to enter territories previously denied to them.PortugueseBrazilian filmFavelaGenderClassSubjectivityArticleCC BY 4.0