An identification of the whole-tone and pentatonic scales in the piano preludes of Claude Debussy
dc.contributor.author | Roth, Karen Dale Johnston | |
dc.contributor.committeeChair | Bentley, Richard | |
dc.contributor.committeeMember | Nelson, Virginia | |
dc.contributor.committeeMember | Eberly, Wilgus | |
dc.date.accessioned | 2019-02-18T16:16:56Z | |
dc.date.available | 2019-02-18T16:16:56Z | |
dc.date.issued | 1966-05 | |
dc.identifier.uri | https://hdl.handle.net/11274/11042 | |
dc.language.iso | en_US | en_US |
dc.subject | 19th century composers | en_US |
dc.subject | Impressionism | en_US |
dc.subject | Keyboard prelude compositions | en_US |
dc.title | An identification of the whole-tone and pentatonic scales in the piano preludes of Claude Debussy | en_US |
dc.type | Thesis | en_US |
thesis.degree.college | College of Fine Arts | |
thesis.degree.discipline | Music Literature | |
thesis.degree.grantor | Texas Woman's University | en_US |
thesis.degree.level | Master | en_US |
thesis.degree.name | Master of Arts | en_US |